http://hdl.handle.net/2440/12028 2013-05-20T00:48:28Z 2013-05-20T00:48:28Z http://hdl.handle.net/2440/64765 2011-06-22T02:23:34Z 1860-12-31T14:30:00Z

Title: White's Rooms Abstract: White's Rooms in the Clarence Hotel. (George White's concert and assembly rooms were established between 1861 and 1865, and became Garner's Theatre and Hudson's Bijou between 1876 and 1900 when Harry Rickard of the Tivoli Theatres Australia converted the premises into his Adelaide (new) Tivoli Thearte.) Description: Scanned from the original held in Rare Books & Special Collections, Barr Smith Library.

1860-12-31T14:30:00Z http://hdl.handle.net/2440/58451 2010-05-25T06:11:35Z 1816-12-31T14:30:00Z

Title: Coloured engraving of the proscenium and front boxes and gallery of the English Opera House in the Strand on 21 March 1817 Description: Scanned from the original held Special Collections, Barr Smith Library

1816-12-31T14:30:00Z http://hdl.handle.net/2440/58086 2010-05-06T05:32:58Z 1925-12-31T14:30:00Z

Title: Pectoral cross worn as character Cardinal Wolsey Abstract: From the wardrobe for Sir Herbert Beerbohm Tree's production of Henry VIII. Bought by Allan Wilkie in 1926. Description: Photographed from the original held Special Collections, Barr Smith Library.

1925-12-31T14:30:00Z Stevenson, Dorothy http://hdl.handle.net/2440/57914 2010-04-29T00:15:52Z 1985-12-31T13:30:00Z

Title: Sea Legend Author: Stevenson, Dorothy Abstract: Choreographed by Dorothy Stevenson with a score by Esther Rofe and designs by Alan McCulloch, Sea Legend premiered at Melbourne's Comedy Theatre during a season by the Borovansky Australian Ballet in November 1943. The work was restaged by Stevenson for the International Ballet in London in 1948. Rofe had written the music in London while studying at the Royal College of Music. When plans to produce it as a ballet had fallen through, Rofe offered the music to Borovansky who in turn gave it to Stevenson. Rofe's original title for the music was Sea Ballet. Sea Legend was notated in Labanotation in 1986 as part of the Australian Choreographic Project. While without a distinctively Australian theme, its all Australian creative team of Stevenson, Rofe and McCulloch make it a very early, perhaps the first, all Australian production. Description: Scanned from the original held Special Collections, Barr Smith Library

1985-12-31T13:30:00Z