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    <link>http://hdl.handle.net/2440/33585</link>
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    <pubDate>Fri, 24 May 2013 08:29:21 GMT</pubDate>
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      <title>Return to Zenda</title>
      <link>http://hdl.handle.net/2440/77776</link>
      <description>Title: Return to Zenda
Author: Lloyd, Rosemary Helen</description>
      <pubDate>Sat, 31 Dec 2011 13:30:00 GMT</pubDate>
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      <dc:date>2011-12-31T13:30:00Z</dc:date>
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      <title>A tale of resilience: the history of modern European languages at the University of Adelaide</title>
      <link>http://hdl.handle.net/2440/77766</link>
      <description>Title: A tale of resilience: the history of modern European languages at the University of Adelaide
Author: Fornasiero, Frances Jean; West-Sooby, John Norton</description>
      <pubDate>Sat, 31 Dec 2011 13:30:00 GMT</pubDate>
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      <dc:date>2011-12-31T13:30:00Z</dc:date>
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      <title>The perversity of whiteness: Paule Constant's white spirit as a gendered rewriting of Joseph Conrad's heart of darkness</title>
      <link>http://hdl.handle.net/2440/77248</link>
      <description>Title: The perversity of whiteness: Paule Constant's white spirit as a gendered rewriting of Joseph Conrad's heart of darkness
Author: Edwards, Natalie Jean
Abstract: This article examines the intertextual references between Paule Constant's White Spirit and Joseph Conrad's Heart of Darkness. I argue that Constant's novel rewrites the European male colonialist's journey from a gendered perspective. The techniques used to achieve this include infusing Conrad's tale with heavily symbolic female characters, with male characters that belie the colonialists' sexual perversion, with animals that take on human characteristics, and with a colonial structure that emphasizes the sexually sordid aspect of empire. The article shows that Constant writes empire as an inherently sexual structure that impacts negatively upon all the characters' psyches, but most significantly upon women; while men suffer psychologically from the sexually perverse colonial society, the quest for whiteness to which the novel's title refers transforms, denigrates and denaturalizes both European and African women.</description>
      <pubDate>Mon, 31 Dec 2007 13:30:00 GMT</pubDate>
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      <dc:date>2007-12-31T13:30:00Z</dc:date>
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      <title>Light-gleams and the uncanny</title>
      <link>http://hdl.handle.net/2440/75385</link>
      <description>Title: Light-gleams and the uncanny
Author: Lloyd, Rosemary Helen
Abstract: This article argues that the disconcerting power of realism can be made more accessible to students through the bias of biography. As Virginia Woolf maintains, biography’s own deployment of realism builds on its canny choice s of the facts that suggest and illuminate. As a result, the living reality of biography enables a sharper critical awareness of approaches to literary realism.</description>
      <pubDate>Sat, 31 Dec 2011 13:30:00 GMT</pubDate>
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      <dc:date>2011-12-31T13:30:00Z</dc:date>
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