Please use this identifier to cite or link to this item: http://hdl.handle.net/2440/106694
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dc.contributor.authorBarclay, K.en
dc.date.issued2017en
dc.identifier.citationJournal of Legal History, 2017; 38(2):203-227en
dc.identifier.issn0144-0365en
dc.identifier.issn1744-0564en
dc.identifier.urihttp://hdl.handle.net/2440/106694-
dc.description.abstractScholars of emotion and the law have sought to demonstrate the significant role emotion plays in shaping the operation of courtrooms, the development of legal theory and practice, and the possibilities for justice. This paper contributes to the discussion by exploring what happens when emotion is ignored or underplayed in trial narratives, seeking to demonstrate that whose emotion is considered to be important can shed light on power dynamics, law and the cultures in which law operates. It does so through a case study of women on trial for murdering their husbands in early nineteenth-century Ireland. It argues that emotion is not simply another species of evidence that can be used in criminal processes, but itself a type of narrative – emotion is constructed and performed by actors in legal dramas and forms a competing story to others in the courtroom space.en
dc.description.statementofresponsibilityKatie Barclayen
dc.language.isoenen
dc.publisherTaylor & Francisen
dc.rights© 2017 Informa UK Limited, trading as Taylor & Francis Groupen
dc.titleNarrative, law and emotion: husband killers in early nineteenth-century Irelanden
dc.typeJournal articleen
dc.identifier.rmid0030073744en
dc.identifier.doi10.1080/01440365.2017.1336893en
dc.relation.granthttp://purl.org/au-research/grants/arc/CE1101011en
dc.identifier.pubid358606-
pubs.library.collectionHistory publicationsen
pubs.library.teamDS10en
pubs.verification-statusVerifieden
pubs.publication-statusPublisheden
dc.identifier.orcidBarclay, K. [0000-0002-5112-907X]en
Appears in Collections:History publications

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