Please use this identifier to cite or link to this item: http://hdl.handle.net/2440/107972
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dc.contributor.authorHajduk, S.en
dc.date.issued2015en
dc.identifier.citationStudia Theodisca, 2015; 22:5-32en
dc.identifier.issn2385-2917en
dc.identifier.issn1593-2478en
dc.identifier.urihttp://hdl.handle.net/2440/107972-
dc.description.abstractThis article focusses on the trains of thought and motifs that link the aesthetic and ethical foundation of The Man Without Qualities with philosophemes of the Greek antiquity. When Musil states that aesthetics is ethics and that everything is moral, he is drawing on classical ideas that converge in the idealistic notion of unity in diversity. The question of another condition is characteristic of the Romantic tradition that Musil continues (while distancing himself from it), but has a much older heritage, that of the philosophy of antiquity.en
dc.description.statementofresponsibilityStefan Hajduken
dc.language.isodeen
dc.publisherUniversità degli Studi di Milanoen
dc.rightsStudia theodisca by http://riviste.unimi.it/index.php/StudiaTheodisca/ is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.en
dc.titleSpuren der antike bei Robert Musil Zum «Mann ohne Eigenschaften» im transhistorischen kontext griechischer philosophieen
dc.typeJournal articleen
dc.identifier.rmid0030049013en
dc.identifier.doi10.13130/1593-2478/6472en
dc.identifier.pubid222661-
pubs.library.collectionPhilosophy publicationsen
pubs.library.teamDS10en
pubs.verification-statusVerifieden
pubs.publication-statusPublisheden
dc.identifier.orcidHajduk, S. [0000-0003-3201-6763]en
Appears in Collections:Philosophy publications

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