Please use this identifier to cite or link to this item: http://hdl.handle.net/2440/114216
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dc.contributor.authorBarclay, K.en
dc.date.issued2017en
dc.identifier.citationEmotions: History, Culture, Society, 2017; 1(1):161-183en
dc.identifier.issn2206-7485en
dc.identifier.issn2208-522Xen
dc.identifier.urihttp://hdl.handle.net/2440/114216-
dc.description.abstractA key question for historians of emotion has been the relationship between the expression of emotion and the corporeal experience of emotion by historical subjects. Recently, work indebted to practice and performance theories has emphasised language’s productive capacities to produce emotion performatively. New Materialism extends this conversation by suggesting an alternative imagining of ‘matter’ – the corporeal – which attributes it greater agency in systems of discursive production. This article explores in particular the work of theorist Karen Barad and the implications of her work for the history of emotions.en
dc.description.statementofresponsibilityKatie Barclayen
dc.language.isoenen
dc.publisherBrillen
dc.rightsCopyright status unknownen
dc.titleNew Materialism and the new history of emotionsen
dc.typeJournal articleen
dc.identifier.rmid0030080914en
dc.identifier.doi10.1163/2208522X-00101008en
dc.relation.granthttp://purl.org/au-research/grants/arc/DE140100111en
dc.identifier.pubid391818-
pubs.library.collectionHistory publicationsen
pubs.library.teamDS05en
pubs.verification-statusVerifieden
pubs.publication-statusPublisheden
dc.identifier.orcidBarclay, K. [0000-0002-5112-907X]en
Appears in Collections:History publications

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