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Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/119261
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dc.contributor.authorGalassi, F.en
dc.contributor.authorBorghi, C.en
dc.contributor.authorBallestriero, R.en
dc.contributor.authorHabicht, M.en
dc.contributor.authorHenneberg, M.en
dc.contributor.authorRühli, F.en
dc.date.issued2017en
dc.identifier.citationInternational Journal of Cardiology, 2017; 236:82-84en
dc.identifier.issn0167-5273en
dc.identifier.issn1874-1754en
dc.identifier.urihttp://hdl.handle.net/2440/119261-
dc.description.abstractSeveral studies have associated the earlobe crease sign, discovered by Sanders T. Frank in 1973, with cardiovascular pathology, yet very few studies have focused on the antiquity of this trait, with the most ancient one thought to date back to the Roman Emperor Hadrian (76-138CE). This article presents two more cases from the Italian Renaissance in the works of the artist Andrea Mantegna (1431-1506) and examines them in a multidisciplinary fashion.en
dc.description.statementofresponsibilityFrancesco M. Galassi, Claudio Borghi, Roberta Ballestriero, Michael E. Habicht, Maciej Henneberg, Frank J. Rühlien
dc.language.isoenen
dc.publisherElsevieren
dc.rights© 2017 Elsevier B.V. All rights reserved.en
dc.subjectFrank's sign; earlobe crease; cardiovascular pathology; prevention; palaeopathology; Mantegna; Renaissanceen
dc.titlePalaeopathology of the earlobe crease (Frank's sign): new insights from Renaissance arten
dc.typeJournal articleen
dc.identifier.doi10.1016/j.ijcard.2017.02.128en
pubs.publication-statusPublisheden
dc.identifier.orcidHenneberg, M. [0000-0003-1941-2286]en
dc.identifier.orcidRühli, F. [0000-0002-1685-9106]en
Appears in Collections:Aurora harvest 8
Medicine publications

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