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|Title:||"Christ kid, you're a weirdo": a Kristevan reading of Bad Boy Bubby|
|School/Discipline:||School of Social Sciences|
|Abstract:||This thesis explores issues of identity and sexuality in the film Bad Boy Hubby, utilising Julia Kristeva's theories on abjection, love and melancholia. Through the examination of the film's representation of the 'self,' sexual difference and the Maternal body, this thesis argues that Bad Boy Hubby is unable to offer cinematic or psychical Oedipal resolution. This inability derives from what emerges in the film as an awareness and exploration of the crisis and disintegration of masculine subjectivity.|
|Dissertation Note:||Thesis (B.A.(Hons.)) -- University of Adelaide, Dept. of Social Inquiry, 1998.|
|Provenance:||This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the author of this thesis and do not wish it to be made publicly available, or you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals|
|Appears in Collections:||School of Social Sciences|
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