Please use this identifier to cite or link to this item:
Scopus Web of Science® Altmetric
Type: Book chapter
Title: To dwell means to leave traces: Modernism, mastery, and meaning in the house museums of Gaudí and Le Corbusier
Other Titles: To dwell means to leave traces: Modernism, mastery, and meaning in the house museums of Gaudi and Le Corbusier
Author: Downey, G.
Citation: The Interior Architecture Theory Reader, 2018 / Marinic, G. (ed./s), Ch.34, pp.291-299
Publisher: Routledge
Publisher Place: United Kingdom
Issue Date: 2018
ISBN: 1138911089
Editor: Marinic, G.
Statement of
Georgina Downey
Abstract: This chapter explores the house museums of two colossi of modern architecture, Antoni Gaudi and Le Corbusier, with focus on, respectively, Casa Gaudi in Park Guell in Barcelona and Corbusier's beach cabin, the Cabanon, in Roquebrune-Cap-Martin on the French Riviera. The Casa Museu Gaudi was originally constructed in 1905 as a display home in the Park Guell housing the estate owned by wealthy aristocrat Eusebi Guell, a friend and patron of Gaudi's. Casa Gaudi, the three-story house which contains the museum, was designed under supervision by Francesc Berenguer, Gaudi's main collaborator, and the plans were signed by Gaudi. Beatriz Colomina has shown that the murals were an "effacement" of Gray's sexuality and genius, and were the consequence of Le Corbusier's psychosexual complexes. Colomina's scholarship has influenced a generation of architectural history scholars, as well as creating a thirst among the general public for Eileen Gray's work and its implications for modernism.
Keywords: Architecture
Rights: © 2018 selection and editorial material, Greg Marinic; individual chapters, the contributors
DOI: 10.4324/9781315693002-34
Published version:
Appears in Collections:Aurora harvest 4
History publications

Files in This Item:
There are no files associated with this item.

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.