Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/128610
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dc.contributor.authorCastro, B.-
dc.date.issued2018-
dc.identifier.citationSydney Review of Books, 2018-
dc.identifier.issn2201-8735-
dc.identifier.urihttp://hdl.handle.net/2440/128610-
dc.descriptionLiterary Gatekeeping in Australia. "Provocations" series, JM Coetzee Centre, The University of Adelaide.-
dc.description.abstractThis essay was first presented as part of Provocations, a new public forum initiated by the J.M. Coetzee Centre for Creative Culture at the University of Adelaide tackling controversies in the arts and humanities. The theme of the first series was ‘Who Shot the Albatross?: Gate-keeping in Australian culture’.-
dc.description.statementofresponsibilityBrian Castro-
dc.language.isoen-
dc.publisherWriting and Society Research Centre, University of Western Sydney-
dc.rightsCopyright status unknown-
dc.source.urihttps://sydneyreviewofbooks.com/blindness-and-deafness-in-literary-reception/-
dc.titleBlindness and deafness in literary reception-
dc.typeJournal article-
pubs.publication-statusPublished-
dc.identifier.orcidCastro, B. [0000-0002-0556-7116]-
Appears in Collections:Aurora harvest 8
English publications

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