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Issue Date	Title	Author(s)
2014	From 'Peter Panic' to proto-modernism: the case of J.M. Barrie	Tonkin, M.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014	Olive Schreiner's from man to man and 'the copy within'	Driver, D.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014	The scenery and dresses of her dreams: reading and reflecting (on) the Victorian heroine in M.E. Braddon's the Doctor's Wife	Seys, M.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014	'All the world is blind': unveiling same-sex desire in the poetry of Amy Levy	Lake, C.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014	Re-visiting the Victorian subject	Tonkin, M.; Treagus, M.; Seys, M.; Crozier-De Rosa, S.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014	The woman artist and narrative ends in late-Victorian writing	Treagus, M.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014	The making of Barbara Baynton	Moore, R.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014	Queen Victoria's Aboriginal subjects: a late colonial Australian case study	Nettelbeck, A.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014	Changing the Victorian Subject	Tonkin, M.; Treagus, M.; Seys, M.; De Rosa, S.C.
2014	Crossing ‘The Beach’: Samoa, Stevenson and ‘The Beach at Falesá’	Treagus, M.