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Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/22246
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dc.contributor.authorRusak, Helen Kathrynen
dc.date.issued2005en
dc.identifier.urihttp://hdl.handle.net/2440/22246-
dc.descriptionBibliography: leaves 211-218.en
dc.descriptionviii, 345 p. : ill. (some col.), music ; 31 cm.en
dc.descriptionPages 3 and 63 missing from Print Copy and this electronic copy.en
dc.description.abstract"This thesis examines and applies feminist musicological theory to Iphis, Matricide the musical, and Mr Barbecue, three musical theatre works by the Australian composer Elena Kats-Chernin." --p. iii.en
dc.format.extent36447 bytesen
dc.format.mimetypeapplication/pdfen
dc.language.isoenen
dc.subject.lcshFeminism and music.en
dc.subject.lcshFeminist theory.en
dc.subject.lcshMusic theater Australia.en
dc.subject.lcshWomen composers Australia.en
dc.titleSimply Divine : feminist aesthetics in three music theatre works of Elena Kats-Chernin / by Helen Kathryn Rusak.en
dc.title.alternativeFeminist aesthetics in three music theatre works of Elena Kats-Cherninen
dc.title.alternativeFeminist aesthetics in 3 music theatre works of Elena Kats-Cherninen
dc.typeThesisen
dc.contributor.schoolElder School of Musicen
dc.provenanceThis electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at http://www.adelaide.edu.au/legals-
dc.description.dissertationThesis (Ph.D.)--University of Adelaide, Elder School of Music, 2005en
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