Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/48691
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dc.contributor.advisorJose, Nicholasen
dc.contributor.authorErrington, Susanen
dc.date.issued2008en
dc.identifier.urihttp://hdl.handle.net/2440/48691-
dc.description.abstractThe White Distance’ is a work of fiction set in Australia and Antarctica at the time of World War I. The story focuses on two lovers, Dora and Daniel, who are part of Australia’s vigorous anti-war movement. Each of the lovers comes to the movement for different reasons. Dora’s beloved brother has been killed in France; Daniel is a printer interested in the new left-wing ideas emerging in Europe, especially Russia. Wanting to escape public pressure to join up and fight, Daniel takes a position with an Antarctic expedition and travels there with a small team from the Commonwealth Bureau of Meteorology to collect weather data. This was a time of major Antarctic exploration, with the Australian expedition led by Douglas Mawson taking place in 1913. In Antarctica, in the novel, the leader of Daniel’s expedition suffers a nervous breakdown and becomes dangerously violent, believing his men are German spies. Daniel and his colleagues have to consider the possibility that the only way to stop their leader might be to kill him. After Daniel leaves, Dora joins a more radical anti-war group led by the charismatic Malachy Mara. She is forced to reconsider what she believes when the group decides to place a pipe bomb in a railway station, which will kill many civilians. Worse for her, she is likely to be the one selected to put the bomb into position. ‘The White Distance’ is also a love story about two lovers who, after being very close, are separated by a great and unfathomable distance. Dora and Daniel struggle to keep their love alive by writing letters to one another, even though they cannot be posted, and keeping journals that will not be read until Daniel returns. Each confronts a deep personal crisis without the other there for support. They use their words to one another to draw the strength to hold on. Although set in the past, the novel raises issues which are relevant to current international and national concerns such as the clash of ideals and personal morality, terrorism, public violence, war and pacifism, love and separation. Exegesis The accompanying exegesis, ‘Reframing the Past for the Present: Writing ‘The White Distance’’, examines the research material and creative influences behind the development of the novel, ‘The White Distance’. It considers the issues which I confronted in writing an historical work of fiction, and concludes by placing the novel in the wider context of current debates about Australian historical fiction.en
dc.subjectAntarctica; World War I; fiction; history; creative writingen
dc.titleThe White Distance: a novel.en
dc.typeThesisen
dc.contributor.schoolSchool of Humanities : Englishen
dc.provenanceThis electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exception. If you are the author of this thesis and do not wish it to be made publicly available or If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals-
dc.description.dissertationThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2008en
Appears in Collections:Research Theses

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