Please use this identifier to cite or link to this item: http://hdl.handle.net/2440/56830
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dc.contributor.advisorRae, Charles Bodman, 1955-en
dc.contributor.advisorKoehne, Graeme Johnen
dc.contributor.authorHall, Philip Jeremyen
dc.date.issued2009en
dc.identifier.urihttp://hdl.handle.net/2440/56830-
dc.description.abstractThis submission for the degree of Master of Music at the Elder Conservatorium of Music, University of Adelaide, consists of a portfolio of original compositions supported by an explanatory exegesis. The portfolio consists of six works: The Gingerbread Man, for a sinfonietta ensemble (woodwind quintet, two violins, viola, cello, double bass and percussion); a Jazz Quintet (alto saxophone, fluegel horn, vibraphone, tambourine and double bass); a Horn Quintet and String Quartet (violin, two violas and cello); Alone (for solo horn and 3 female voices – SSA); and Sonata for Horn (or Tuba) and Piano. The supporting exegesis explains the creative and investigative processes that have taken place, exploring the idea of the leitmotif and developing it through the six compositions within the portfolio.en
dc.subjectmusic; composition; Leitmotifsen
dc.subject.lcshComposition (Music)en
dc.subject.lcshSonatas (Horn and piano)en
dc.subject.lcshQuintets (Horn, violins (2), viola, violoncello)en
dc.subject.lcshVocal trios with horn.en
dc.subject.lcshInstrumental music.en
dc.subject.lcshJazz.en
dc.titlePortfolio of compositions and exegesis: Leitmotifs and their development.en
dc.typeThesisen
dc.contributor.schoolElder Conservatorium of Musicen
dc.provenanceCopyright material removed from digital thesis. See print copy in University of Adelaide Library for full text.en
dc.description.dissertationThesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 2009en
Appears in Collections:Research Theses

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