Please use this identifier to cite or link to this item: http://hdl.handle.net/2440/62517
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Type: Book (edited)
Title: Mallarmé devant ses contemporains 1875-1899
Other Titles: Mallarme devant ses contemporains 1875-1899
Publisher: University of Adelaide Press
Issue Date: 2011
ISBN: 9780980723076
Editor: Hambly, P.
Statement of
Responsibility: 
Author: Hambly, Peter S.; Book design: Céline Lawrence; Cover: John Emerson; Photograph of Mallarmé by Nadar courtesy of the Musée Mallarmé, France
Abstract: The enigmatic nature of Mallarmé’s works disconcerted his first readers and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print: some were laudatory, others claimed that he wished to found a poetic School of the Unintelligible. Today’s reader will find gathered here reviews published when individual works first appeared and critical texts his work in geral. Among the aspects of his influence on his contemporaries which have been little known hitherto are the reactions of those who heard the performances of Debussy’s Prelude to the Afternoon of a Faun in 1894 and 1895, and the use that was made of Mallarmé’s name in aesthetic and political polemics at the time, associating him with Odilon Redon or Émile Zola. Some of his utterances made at the celebrated Mardis are also recorded here.
Subject: Mallarmé, Stéphane, 1842-1898—Criticism and interpretation
Mallarmé, Stéphane, 1842-1898—Influence
French poetry—19th century—History and criticism
Rights: © Peter Hambly 2011. Copyright © 2011 The University of Adelaide
RMID: 0030001047
DOI: 10.20851/mallarme
Appears in Collections:University of Adelaide Press Publications
French publications

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