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Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/65185
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DC FieldValueLanguage
dc.contributor.authorLogan, C.-
dc.contributor.authorSmith, R.-
dc.contributor.editorCrispin, J.-
dc.date.issued2010-
dc.identifier.citationOlivier Messiaen: The Centenary Papers, 2010 / Crispin, J. (ed./s), pp.158-178-
dc.identifier.isbn1443824984-
dc.identifier.isbn9781443824989-
dc.identifier.urihttp://hdl.handle.net/2440/65185-
dc.description.statementofresponsibilityChristine Logan and Rodney L. Smith-
dc.description.urihttp://trove.nla.gov.au/work/38767703-
dc.language.isoen-
dc.publisherCambridge Scholars Publishing-
dc.rightsCopyright status unknown-
dc.titleMessiaen's 'Visions de L'Amen': Issues in performance practice informed by the composer's role as piano, organ, and orchestral colorist-
dc.typeBook chapter-
dc.publisher.placeUnited Kingdom-
pubs.publication-statusPublished-
Appears in Collections:Aurora harvest
Music publications, scores & recorded works

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