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Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/71358
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DC FieldValueLanguage
dc.contributor.authorMcCann, B.-
dc.contributor.editorMcCann, B.-
dc.contributor.editorSorfa, D.-
dc.date.issued2011-
dc.identifier.citationThe Cinema of Michael Haneke: Europe Utopia, 2011 / McCann, B., Sorfa, D. (ed./s), pp.24-37-
dc.identifier.isbn1906660301-
dc.identifier.isbn9781906660307-
dc.identifier.urihttp://hdl.handle.net/2440/71358-
dc.descriptionAlso has ISBN 1906660298 ; 9781906660291 ; 9780231504652-
dc.description.statementofresponsibilityBen McCann-
dc.description.urihttp://trove.nla.gov.au/work/165894097-
dc.language.isoen-
dc.publisherColumbia University Press-
dc.titleActing, Performance and the Bressonian Impulse in Haneke's Films-
dc.typeBook chapter-
dc.publisher.placeUnited States-
pubs.publication-statusPublished-
dc.identifier.orcidMcCann, B. [0000-0002-3545-1683]-
Appears in Collections:Aurora harvest 5
French publications

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