Please use this identifier to cite or link to this item: http://hdl.handle.net/2440/99914
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dc.contributor.advisorProsser, Rosslyn Winifred-
dc.contributor.authorGeorge, Denise Kaye-
dc.date.issued2014-
dc.identifier.urihttp://hdl.handle.net/2440/99914-
dc.description.abstractI will argue in this thesis that an increased ethnobiographical life writing approach contributes to the contemporary construction of identity. Where, the extant qualities of a subject’s lived experience, is the primary objective of biographical enquiry. The creative component is a work of ethnobiographical nonfiction about South Australian studio glass artist, titled, Nick Mount: Blow by blow. It is comprised of a series of separate thematic narratives which act as entry points into more comprehensive, intimate and historical explorations of Mount’s identity, and reveals Mount’s contribution to Australian visual arts culture. The exegesis, Reconfiguring biography: A genre in motion briefly charts the evolving genre of biographical life writing. It explores ways in which increased ethnobiographical methodologies; narrative nonfiction, and non linearity contribute to contemporary constructions of identity. I will explore ways in which an increased incorporation of reflexive practice and creative analytical processes, and key elements of narrative nonfiction including, immersion, scenes, stance, and point of view; and two features of non linearity, including narrative connection and achronological structures additionally enhance ethnobiographical life writing.en
dc.subjectcreative writingen
dc.subjectNick Mounten
dc.subjectglass artisten
dc.titleNick Mount: blow by blow. Reconfiguring biography: a genre in motionen
dc.typeThesesen
dc.contributor.schoolSchool of Humanitiesen
dc.provenanceThis electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legalsen
dc.description.dissertationThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2014.en
Appears in Collections:Research Theses

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