<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-27T13:41:22Z</responseDate><request verb="GetRecord" identifier="oai:digital.library.adelaide.edu.au:2440/112275" metadataPrefix="dim">https://digital.library.adelaide.edu.au/server/oai/request</request><GetRecord><record><header><identifier>oai:digital.library.adelaide.edu.au:2440/112275</identifier><datestamp>2026-06-12T08:06:55Z</datestamp><setSpec>com_2440_14759</setSpec><setSpec>col_2440_14760</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor">Carroll, Mark Stephen</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="advisor">Bodman Rae, Charles</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author">Handsworth, Peter John</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="school" lang="en">Elder Conservatorium of Music</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued">2017</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/2440/112275</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="doi">10.4225/55/5b04cf235ce87</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">The project aims to create a definitive set of performances of Alfred Uhl’s 48&#xd;
Etüden für Klarinette (1938), one that sheds new light on the nexus between the&#xd;
composer’s aesthetic and philosophical beliefs, and the ways in which the studies&#xd;
– both individually and collectively – impact directly on the performer’s technical&#xd;
command, analytical acumen and musical development. The study takes the form&#xd;
of a set of CD recordings of the 48 Etüden supplemented by additional works by&#xd;
Uhl that demonstrate the ways in which the etudes unlock the technical,&#xd;
interpretative and expressive potential of the performer. The recordings are&#xd;
supported by a 15,000 word exegesis that illuminates the research methodology&#xd;
undertaken, and its potential future applications.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="dissertation" lang="en">Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2017</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en">Alfred Uhl</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en">48 Etüden</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en">pedagogy</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en">clarinet</dim:field>
   <dim:field mdschema="dc" element="title" lang="en">Unlocking the pedagogical potential of Alfred Uhl’s 48 Etüden für Klarinette: a portfolio of recorded performances and exegesis</dim:field>
   <dim:field mdschema="dc" element="type" lang="en">Theses</dim:field>
   <dim:field mdschema="dc" element="provenance" lang="en">This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals</dim:field>open.access</dim:dim></metadata></record></GetRecord></OAI-PMH>