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oai:digital.library.adelaide.edu.au:2440/1389722023-08-01T01:12:58Zcom_2440_14759col_2440_14760

Fartach-Naini, Oliver Whittington, Stephen Robson, Megan Anne Elder Conservatorium of Music 2023 https://hdl.handle.net/2440/138972 Part 1: Audio-Visual Recordings -- Part 2: Exegesis This performance-based project explores how scordatura (alternate tuning) challenges practice and performance on the classical guitar. A range of scordatura works have been examined to identify what adjustments can be made in practice and performance to facilitate a coherent recital. By analysing curatorial and repertoire–specific challenges, this project aims to explore the impacts scordatura has on established auditory, cognitive, kinaesthetic and visual processes. These aspects will be brought into more specific focus through four case studies: Lilith Guégmian’s Dans le Souffle du Temps, Bryan Johanson’s A Dog from Every Town, Gary Ryan’s Out of Clonmel and Richard Charlton’s Sonata of Forgotten Dreams. The project culminates in two one-hour recitals and an accompanying 7,500-word exegesis. Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2023 en Scordatura; tuning; classical guitar; practice; performance; Lilith Guégamian; Bryan Johanson; Richard Charlton; Gary Ryan Scordatura on the Classical Guitar: Implications for Practice and Performance Thesis This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legalsopen.access