<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-23T02:29:17Z</responseDate><request verb="GetRecord" identifier="oai:digital.library.adelaide.edu.au:2440/151205" metadataPrefix="dim">https://digital.library.adelaide.edu.au/server/oai/request</request><GetRecord><record><header><identifier>oai:digital.library.adelaide.edu.au:2440/151205</identifier><datestamp>2026-06-26T03:28:22Z</datestamp><setSpec>com_2440_14759</setSpec><setSpec>col_2440_14760</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor">MacGill, Belinda</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author">Johnson, Alexis</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="school">UniSA Creative</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued">2026-03-24</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/2440/151205</dim:field>
   <dim:field mdschema="dc" element="description">345 pages</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract">This research investigates how artists work together as a community to co-create placespecific installation and performance projects. Using an in-depth study of the international arts collective Libertalia, the research examines artistic co-creation as a shared, relational process rather than an individual act of authorship. Drawing on reflective practice, fieldnotes, and performance theory, the study explores how play, ritual, mimesis and collaboration shape creative processes and relationships between artists. The research contributes new insights into how co-creative artistic practices operate in practice and offers guidance for artists, researchers, and organisations working in participatory and collaborative arts contexts.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="dissertation">Thesis (PhD (Communication)) -- University of South Australia, UniSA Creative, 2026</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso">en</dim:field>
   <dim:field mdschema="dc" element="subject">artistic co-creation</dim:field>
   <dim:field mdschema="dc" element="subject">serious play</dim:field>
   <dim:field mdschema="dc" element="subject">mimetc faculty</dim:field>
   <dim:field mdschema="dc" element="title">Playing at being other: the self-less process of artistic co-creation</dim:field>
   <dim:field mdschema="dc" element="type" lang="en">Thesis</dim:field>
   <dim:field mdschema="dc" element="provenance">This electronic version is made publicly available by the University of South Australia in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please notify the University copyright officer by emailing copyright@adelaide.edu.au</dim:field>restricted</dim:dim></metadata></record></GetRecord></OAI-PMH>