2026-09-20T15:24:56Zhttps://digital.library.adelaide.edu.au/server/oai/request

oai:digital.library.adelaide.edu.au:2440/654832011-09-30T01:12:08Zcom_2440_14759col_2440_14760

Koehne, Graeme John Bukovsky, Miro Carroll, Mark Stephen Aué, Johannes Elder Conservatorium of Music 2010 http://hdl.handle.net/2440/65483 The study centers on a folio of compositions in the jazz idiom that calls for the combination of one or two classical chamber groups with a small jazz ensemble. The scores incorporate a musical aesthetic that retains what will be shown to be jazz sensibilities, but which is accessible to performers schooled in the classical tradition. The exegesis briefly discusses the musical influences that have been a part of my compositional aesthetic and approach and provides a detailed commentary of the principal features of the three works included in this portfolio. The portfolio contains three works: The Clown, for fourteen players; Into the Wood, for nine players; Time Frames, for 10 players. Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 2010 musical composition; jazz Composition (Music) Jazz. Chamber music (E)merging idioms: integrating jazz and classical ensembles. Thesisopen.access