<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-22T03:38:54Z</responseDate><request verb="GetRecord" identifier="oai:digital.library.adelaide.edu.au:2440/69738" metadataPrefix="dim">https://digital.library.adelaide.edu.au/server/oai/request</request><GetRecord><record><header><identifier>oai:digital.library.adelaide.edu.au:2440/69738</identifier><datestamp>2014-02-13T01:40:21Z</datestamp><setSpec>com_2440_14759</setSpec><setSpec>col_2440_14760</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en">Pascoe, Derek</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="school" lang="en">Elder Conservatorium of Music</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en">2006</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/2440/69738</dim:field>
   <dim:field mdschema="dc" element="description" lang="en">Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en">The exegesis documents the musical application by the author of philosophical and aesthetic ideas practiced by three visual artists and one musician. In response to these ideas, the author devised exercises and strategies that served to enhance his own creative and personal expression. This expanded creativity and expressivity became the basis for two recitals, which were spontaneous musical responses to the tale of ’A rake’s progress’.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="dissertation" lang="en">Thesis (M.Mus.) -- University of Adelaide, Elder Conservatorium of Music, 2006</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en">music philosophy and aesthetics; music performance; improvisation (music); jazz</dim:field>
   <dim:field mdschema="dc" element="title" lang="en">Search for the self: redefining the jazz language : a personal perspective.</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en">Redefining the jazz language : a personal perspective.</dim:field>
   <dim:field mdschema="dc" element="type" lang="en">Thesis</dim:field>open.access</dim:dim></metadata></record></GetRecord></OAI-PMH>