2026-09-23T17:09:24Zhttps://digital.library.adelaide.edu.au/server/oai/request

oai:digital.library.adelaide.edu.au:2440/974502015-12-18T05:52:43Zcom_2440_14759col_2440_14760

Kerr, Heather Beviss Nettelbeck, Amanda E. Havis, Steven Thomas James School of Humanities 2015 http://hdl.handle.net/2440/97450 In this thesis, I will examine how McEwan represents trauma and the sublime in a selection of four novels; these are, in order of publication, The Child in Time (1987), Enduring Love (1997), Amsterdam (1998) and Saturday (2005). The novels I have selected evoke traumatic experience and various versions of the sublime, particularly the eighteenth-century ideas of the sublime described by Edmund Burke and Immanuel Kant. These evocations of trauma and the sublime often coincide in the novels. Thesis (M.Phil.) -- University of Adelaide, School of Humanities, 2015 trauma; sublime; narrative point of view; narratology; free indirect discourse The interplay of trauma and the sublime in four fictions by Ian McEwan. Thesis This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legalsopen.access