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dc.contributor.editorHambly, P.en
dc.description.abstractThe enigmatic nature of Mallarmé’s works disconcerted his first readers and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print: some were laudatory, others claimed that he wished to found a poetic School of the Unintelligible. Today’s reader will find gathered here reviews published when individual works first appeared and critical texts his work in geral. Among the aspects of his influence on his contemporaries which have been little known hitherto are the reactions of those who heard the performances of Debussy’s Prelude to the Afternoon of a Faun in 1894 and 1895, and the use that was made of Mallarmé’s name in aesthetic and political polemics at the time, associating him with Odilon Redon or Émile Zola. Some of his utterances made at the celebrated Mardis are also recorded here.en
dc.description.statementofresponsibilityAuthor: Hambly, Peter S.; Book design: Céline Lawrence; Cover: John Emerson; Photograph of Mallarmé by Nadar courtesy of the Musée Mallarmé, Franceen
dc.publisherUniversity of Adelaide Pressen
dc.rights© Peter Hambly 2011. Copyright © 2011 The University of Adelaideen
dc.subject.lcshMallarmé, Stéphane, 1842-1898—Criticism and interpretationen
dc.subject.lcshMallarmé, Stéphane, 1842-1898—Influenceen
dc.subject.lcshFrench poetry—19th century—History and criticismen
dc.titleMallarmé devant ses contemporains 1875-1899en
dc.title.alternativeMallarme devant ses contemporains 1875-1899en
dc.typeBook (edited)en
pubs.library.collectionFrench publicationsen
Appears in Collections:University of Adelaide Press Publications
French publications

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