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|Title:||Images of the crucifixion in late antiquity : the testimony of engraved gems / Felicity Harley.|
|School/Discipline:||Centre for European Studies and General Linguistics|
|Abstract:||A study which takes as its focus five gemstones, each engraved with an image of the Crucifixion and previously dated to the Late Antique period. The study undertakes an examination of the gems' iconographic as well as compositional, physical and epigraphic evidence, and demonstrates the way in which critical information regarding the evolution of the Crucifixion image in Late Antiquity has been seriously obstructed in previous studies through the dismissal, misapplication and misinterpretation of the gems. Focusing on iconography, it presents a revised chronology for the gems, suggesting that only three are Late Antique, the fourth being early Byzantine.|
|Dissertation Note:||Thesis (Ph.D.)--University of Adelaide, Centre for European Studies and General Linguistics, 2001|
|Subject:||Jesus Christ Art.|
Jesus Christ Crucifixion.
Crucifixion in art.
|Description:||Bibliography: leaves 289-313.|
v, 316 leaves., 17 p. of plates : ill. (some col.) ; 30 cm.
|Provenance:||This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exception. If you are the author of this thesis and do not wish it to be made publicly available or If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals|
|Appears in Collections:||Research Theses|
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|01front.pdf||87.87 kB||Adobe PDF||View/Open|
|02whole.pdf||22.73 MB||Adobe PDF||View/Open|
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