Christian Prigent’s Mimological Machine: Le Monde est marrant and La Vie moderne

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dc.contributor.authorPoiana, P.B.
dc.date.issued2017
dc.description.abstract<jats:p>Christian Prigent views his writing as an effort to expose the 'parler faux' of ambient discourses and condemn the impoverishment of language and ideas by the media industry, in particular. Prigent's later texts work on the principle that the acceleration, intensification and gratification that characterize an image-driven society result in the disempowerment of its citizens. Prigent responds with a critical poetics that this study endeavours to describe with reference to two texts: <jats:italic>Le Monde est marrant</jats:italic> (2008) and <jats:italic>La Vie moderne</jats:italic> (2012). These texts devise techniques of vocal imitation (which, adopting Gérard Genette's neologism, we call <jats:italic>mimological</jats:italic>) as a means of addressing those techniques by which the media industry creates credulous and consumption-ready subjects. This critical poetics constitutes a system, it is argued, because it deploys a limited set of combinations as a way of figuring an aberration of an existing system. Prigent's mimetic system demonstrates how poetry offers a means of grasping the harsh realities of the twenty-first century.</jats:p>
dc.description.statementofresponsibilityPeter Poiana
dc.identifier.citationThe Irish Journal of French Studies, 2017; 17(1):125-141
dc.identifier.doi10.7173/164913317822236156
dc.identifier.issn1649-1335
dc.identifier.urihttp://hdl.handle.net/2440/123450
dc.language.isoen
dc.publisherAssociation des Études Françaises et Francophones d'Irlande
dc.rightsCopyright status unknown
dc.source.urihttps://doi.org/10.7173/164913317822236156
dc.titleChristian Prigent’s Mimological Machine: Le Monde est marrant and La Vie moderne
dc.typeJournal article
pubs.publication-statusPublished

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