Rapture : responding to Aboriginal art /

dc.contributor.authorRadok, Stephanie,
dc.contributor.schoolUniversity of South Australia. South Australian School of Art.
dc.contributor.schoolSouth Australian School of Art.
dc.date.issued2001
dc.description1 ethesis (v, 70 pages) :
dc.descriptionillustrations
dc.descriptionIncludes bibliographical references (pages 57-67)
dc.description.abstractThe thesis and artefacts posit rapture as a significant response to Aboriginal art. Rapture as a response is both haptic and visceral, it is based on the direct perception of visual languages in Aboriginal art that are derived from and return to the natural world and are therefore potentially both familiar and meaningful to all human beings. Aboriginal art does not represent an 'other' culture to be consumed and assimilated but 'another' culture that contains messages about human connection to the world as a necessary and primary basis to culture. There are lessons to be learnt from this ecological imperative, which are particularly relevant today.
dc.description.dissertationThesis (MVisualArts)--University of South Australia, 2001.
dc.identifier.urihttps://hdl.handle.net/1959.8/82393
dc.language.isoen
dc.provenanceCopyright 2001 Stephanie Radok.
dc.subject.lcshAboriginal Australians
dc.subject.lcshAboriginal Australians
dc.subject.lcshArt
dc.subject.lcshPainting, Modern
dc.titleRapture : responding to Aboriginal art /
dc.typethesis
dcterms.accessRights506 0#$fstar $2Unrestricted online access
ror.fileinfo12146600010001831 13177256060001831 Radok, Stephanie - thesis
ror.mmsid9915960074501831

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