Collaborative Orchestrations in Sophie Calle’s Prenez soin de vous and Mathieu Briand’s Et In Libertalia Ego
| dc.contributor.advisor | Edwards, Natalie | |
| dc.contributor.advisor | Mansfield, Lisa | |
| dc.contributor.author | Hoadley, Debra Anne | |
| dc.contributor.school | School of Humanities : French Studies | en |
| dc.date.issued | 2022 | |
| dc.description.abstract | Two French artists, Sophie Calle and Mathieu Briand, have conceived projects that are based on accepting the work of others as a primary source of the work made. These works are viewed as collaborative and the artist is seen as the orchestrator who invites, coordinates, sometimes makes and is eventually responsible for producing the completed, final work. The works’ cohorts are seen as brotherhood and sisterhood, united only by the work made, gendered by those invited to participate. The artists collaborate, not only with their invited participants, but with a series of foundational texts that are instrumental in producing the works. Portraiture is the expression of collaboration and is handled very differently by the two artists. Given the expansiveness of these projects and the number of participants, the question arises as to whom the work belongs and who is able to claim it; the issue of signature is thus addressed. Finally, the impression that photography marks the passing of time and, indeed, death, is suggested by these two projects that unintentionally demonstrate this notion to be true. | en |
| dc.description.dissertation | Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2022 | en |
| dc.identifier.uri | https://hdl.handle.net/2440/136625 | |
| dc.language.iso | en | en |
| dc.provenance | This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals | en |
| dc.subject | Collaboration | en |
| dc.subject | Photography | en |
| dc.subject | Artist | en |
| dc.title | Collaborative Orchestrations in Sophie Calle’s Prenez soin de vous and Mathieu Briand’s Et In Libertalia Ego | en |
| dc.type | Thesis | en |
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