Divergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesis

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dc.contributor.advisorCarroll, Mark Stephen
dc.contributor.advisorCoaldrake, Kimi
dc.contributor.authorLeeson, Aloysius John
dc.contributor.schoolElder Conservatorium of Musicen
dc.date.issued2017
dc.description.abstractThis performance-based project explores the emergence of what we now call classical and flamenco guitar traditions out of a complex matrix of guitar styles in nineteenth-century Spain, and their convergence into a body of works that fall under the rubric of the Spanish guitar repertoire. The recital performances are informed by a combination of historical, text-based research, score analyses, and the critical evaluation and transcription of aural resources. The recitals demonstrate, through a combination of relevant classical and flamenco repertoire, the extent to which each informs the other in an ongoing and evolving way. Taken as a whole the study redresses bifurcated and biased accounts of the history of the guitar in Spain that reflect and champion the personal agendas of historians.en
dc.description.dissertationThesis (M.Phil.) -- University of Adelaide, Elder Conservatorium of Music, 2017.en
dc.identifier.doi10.25909/5b99f6e623526
dc.identifier.urihttp://hdl.handle.net/2440/114438
dc.provenanceThis electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legalsen
dc.subjectguitaren
dc.subjectflamenco guitaren
dc.subjectclassical guitaren
dc.subjectguitar historyen
dc.subjectSpainen
dc.titleDivergence and convergence in Spanish classical and flamenco guitar traditions (1850-2016): a dissertation comprising 2 cd recital recordings and exegesisen
dc.typeThesesen

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