Staging virtual worlds

dc.contributor.author	Fewster, R.
dc.date.issued	2012
dc.description.abstract	Live performance is making increasing use of digital technologies. Sporting events, rock concerts and stage performance are all becoming synonymous with high production values based largely on advances in technology. Theatre has been steadily exposed to newer technologies such as digital projection and amplification; these are seen to be proliferating within the performance space. The increasing use of such media in performance is due to artists wishing to explore and work with new technologies as they become more accessible. Audiences raised on media sensibilities are coming to expect mediatised performance environments. The technology itself is becoming cheaper, brighter and louder for the stage director to utilise. This, in turn, is creating new challenges for the stage director and performer as to how the live performer interacts within such mediatised theatrical environments.
dc.identifier.citation	AUSTRALASIAN DRAMA STUDIES, 2012; 60(60):208-222
dc.identifier.issn	0810-4123
dc.identifier.uri	https://hdl.handle.net/1959.8/122872
dc.language.iso	en
dc.publisher	La Trobe University
dc.rights	Copyright 2012 La Trobe University
dc.source.uri	https://search.informit.com.au/documentSummary;dn=208194430072879;res=IELAPA
dc.subject	practice as research
dc.subject	intermediality
dc.subject	machinima
dc.subject	liveness
dc.title	Staging virtual worlds
dc.type	Journal article
pubs.publication-status	Published
ror.mmsid	9915909682401831

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