The image and identity of the alchemist in seventeenth-century Netherlandish art.
Date
2011
Authors
Rehn, Dana Kelly-Anne
Editors
Advisors
Mansfield, Lisa
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Thesis
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Abstract
This dissertation explores the representation of the alchemist in Netherlandish art during the heyday of alchemy in seventeenth-century Europe amidst the Scientific Revolution. While contemporary debates regarding the position that alchemy and magic in general had on the development of modern science has held particular interest for scholars working in the discipline of the history of science, the rich iconographic tradition of the alchemist in seventeenth-century Netherlandish painting has not been explored in detail from a wider socio-cultural perspective. It is for this reason that the image and identity of the alchemist is analysed in selected seventeenth-century Netherlandish paintings in order to not only explore their position within the Scientific Revolution, but also to shed light on their meaning and function within the socio-cultural context of the Golden Age in the Netherlands. The contradictory perception of the alchemist in this period as either fools and charlatans or 'scientific' scholars is shown to reflect the fear and apprehension that accompanied the dynamic nexus between religious change and scientific experimentation in this transformative period of the early modern European Scientific Revolution, in addition to heightened class-consciousness amidst the Golden Age in the Netherlands.
School/Discipline
School of History and Politics
Dissertation Note
Thesis (M.A.(St.Art.Hist.)) -- University of Adelaide, School of History and Politics, 2011
Provenance
Copyright material removed from digital thesis. See print copy in University of Adelaide Library for full text.
Master of Arts (Studies in Art History) by Coursework
Master of Arts (Studies in Art History) by Coursework