Miyazaki Hayao's Animism and the Anthropocene

Files

hdl_135591.pdf (222.67 KB)
  (Published version)

Date

2021

Authors

Yoneyama, S.

Editors

Advisors

Journal Title

Journal ISSN

Volume Title

Type:

Journal article

Citation

Theory, Culture and Society: explorations in critical social science, 2021; 38(7-8):251-266

Statement of Responsibility

Shoko Yoneyama

Conference Name

Abstract

The need for a reconsideration of human-nature relationships has been widely recognized in the Anthropocene. It is difficult to rethink, however, because there is a crisis of imagination that is deeply entrenched within the fundamental premises of modernity. This article explores how ‘critical animism’ developed by Miyazaki Hayao of Studio Ghibli can address this paucity of imagination by providing alternative ways of knowing and being. ‘Critical animism’ emerged from the fusion of a critique of modernity with informal cultural heritage in Japan. It is a philosophy that perceives nature as a non-dualistic combination of the life-world and the spiritual-world, while also emphasizing the significance of place. Miyazaki’s critical animism challenges anthropocentrism, secularism, Eurocentrism, as well as dualism. It may be the ‘perfect story’ that could disrupt the existing paradigm, offering a promise to rethink human-nonhuman relationships and envisaging a new paradigm for the social sciences.

School/Discipline

Dissertation Note

Provenance

Description

Access Status

Rights

© The Author(s) 2021. Creative Commons. Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)

License

Grant ID

Call number

Persistent link to this record