Worlding and new music cultures in Shanghai

dc.contributor.authorGu, X.
dc.contributor.authorO'Connor, J.
dc.contributor.authorNg, J.
dc.date.issued2019
dc.description.abstractThis paper investigates Shanghai's music sub-cultural scene as part of the process of worlding. In Asian cities, until recently outside the mainstream of western commercial music, there is a highly complex and contingent process of catching up with the history of the field, and learning to feel comfortable in inhabiting this space. In Shanghai, this process of ‘catching-up’ is radically compressed, in two senses – the city's relative late development and the limited availability of inner city music venues. This gives rise to what we might call a ‘singularity’ – the kind of compressed space prior to a big bang. Where elsewhere we might see a complex field of different symbolic and economic capitals and musical genres with which they are intertwined, in China, and in our case of Shanghai, these are not yet given space to express themselves. Consequently, to move through the independent, semi-legal venues of Shanghai's music scene is to encounter a compressed richness which, in a few years, may well have become highly segmented and mutually distinctive spaces of a ‘normal’ urban music scene.
dc.identifier.citationCity, Culture and Society, 2019; 19(100286):1-6
dc.identifier.doi10.1016/j.ccs.2019.05.002
dc.identifier.issn1877-9166
dc.identifier.issn1877-9174
dc.identifier.orcidO'Connor, J. [0000-0002-8224-621X]
dc.identifier.urihttps://hdl.handle.net/11541.2/142149
dc.language.isoen
dc.publisherElsevier BV
dc.relation.fundingARC DP150101477 Working the Field: Creative Graduates in China and Australia
dc.rightsCopyright 2019 Elsevier
dc.source.urihttps://doi.org/10.1016/j.ccs.2019.05.002
dc.subjectworlding
dc.subjectmusic culture
dc.subjectShanghai
dc.titleWorlding and new music cultures in Shanghai
dc.typeJournal article
pubs.publication-statusPublished
ror.mmsid9916396311601831

Files

Collections