Prototype review: experimental Australian films as poetic diary entries

dc.contributor.author	Richards, S.
dc.date.issued	2019
dc.description.abstract	With the launch of Hannah Brontë's music-driven The Sweet Suits last Tuesday, online cinematheque Prototype's first season came to a close. Prototype seeks to bring this work out of the gallery and film festival and straight to the viewer, with new work from some of Australia's strongest emerging and established video artists and filmmakers. With Prototype, you can encounter art in your everyday life. Video art has consistently adapted with changing technology. We are immersed in video now, constantly bombarded with streaming images on our phones. Following on from other sites such as the Whitney Museum's Artport, Prototype cuts through the online algorithms that are a challenge for emerging video artists.
dc.identifier.uri	https://hdl.handle.net/11541.2/140368
dc.language.iso	en
dc.publisher	The Conversation
dc.rights	Copyright 2019 the author. This publication is available under a Creative Commons Attribution No Derivatives licence. (http://creativecommons.org/licenses/by-nd/4.0/)
dc.source.uri	https://theconversation.com/prototype-review-experimental-australian-films-as-poetic-diary-entries-123921
dc.subject	visual art
dc.subject	video art
dc.subject	Australian cinema
dc.subject	art review
dc.title	Prototype review: experimental Australian films as poetic diary entries
dc.type	Website
pubs.publication-status	Published
ror.mmsid	9916369405901831

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