The Femme Fatale: theorising female power and subjectivity in Margaret Atwood's Alias Grace and The Robber Bride
| dc.contributor.author | Kulperger, Shelley | |
| dc.contributor.school | School of Humanities: English & Creative Writing | |
| dc.date.issued | 1998 | |
| dc.description.dissertation | Thesis (B.A. (Hons)) -- University of Adelaide, School of Humanities, 1998 | |
| dc.identifier.uri | http://hdl.handle.net/2440/121728 | |
| dc.language.iso | en | en |
| dc.provenance | This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals | |
| dc.title | The Femme Fatale: theorising female power and subjectivity in Margaret Atwood's Alias Grace and The Robber Bride | en |
| dc.type | Thesis | en |
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