The concrete sublime

dc.contributor.authorMoss, J.
dc.date.issued2013
dc.description.abstractThe essay takes the construction of the Three Gorges Dam in China as a measure of the global production of concrete against which can be estimated the extent of the consumption of water. The essay also reflects on concrete's alchemical becoming, through the interaction of cement, aggregate, and water, a dynamically unified, although tragically irredeemable, material. The essay utilises a broadly quantitative methodology, although the data generates an aporia between statistical methods on the one hand, and imaginative projections on the other. The resultant ambiguity blurs the long-held distinction between quantitative and qualitative methods and the subjective/objective binary on which the distinction is based.
dc.identifier.citationArchitectural Theory Review, 2013; 18(2):251-257
dc.identifier.doi10.1080/13264826.2013.825956
dc.identifier.issn1326-4826
dc.identifier.issn1755-0475
dc.identifier.urihttps://hdl.handle.net/1959.8/152560
dc.language.isoen
dc.publisherRoutledge
dc.rightsCopyright 2013 Taylor & Francis
dc.source.urihttps://doi.org/10.1080/13264826.2013.825956
dc.subjectdams
dc.subjectChina
dc.subjectconcrete
dc.subjectwater
dc.titleThe concrete sublime
dc.typeJournal article
pubs.publication-statusPublished
ror.mmsid9915909974801831

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