Reading rooms : domesticity, identity and belonging in the paintings of Bessie Davidson, Margaret Preston and Stella Bowen in Paris and London 1910s - 1930s /
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(Published version)
(Published version)
Date
2004
Authors
Downey, Georgina
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thesis
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Abstract
This study explains how expatriate South Australian woman artists established both new lives and art careers in the modern metropoles of Paris and London in the early years of the twentieth century. It also argues that relocation to the modern metropole required new representational forms in their art practices. The interior view set in domestic, rather than public space was the particular form chosen by the women of this study to represent their experience of modern urban life.
School/Discipline
University of South Australia South Australian School of Art.
South Australian School of Art
South Australian School of Art
Dissertation Note
Thesis PhD(Visual Arts)-University of South Australia, 2004.
Provenance
Copyright 2004 Georgina Downey. This work is made available under the Creative Commons Attribution-NonCommercial-NoDerivs Australia 3.0 licence (http://creativecommons.org/licenses/by-nc-nd/3.0/au)
Description
EN-AUS
1 ethesis ([230], [79]) :
illustratons.
Includes bibliographical references (pages 183-198)
1 ethesis ([230], [79]) :
illustratons.
Includes bibliographical references (pages 183-198)
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506 0#$fstar $2Unrestricted online access