New Materialism and the new history of emotions

dc.contributor.author	Barclay, K.
dc.date.issued	2017
dc.description.abstract	A key question for historians of emotion has been the relationship between the expression of emotion and the corporeal experience of emotion by historical subjects. Recently, work indebted to practice and performance theories has emphasised language’s productive capacities to produce emotion performatively. New Materialism extends this conversation by suggesting an alternative imagining of ‘matter’ – the corporeal – which attributes it greater agency in systems of discursive production. This article explores in particular the work of theorist Karen Barad and the implications of her work for the history of emotions.
dc.description.statementofresponsibility	Katie Barclay
dc.identifier.citation	EMOTIONS-HISTORY CULTURE SOCIETY, 2017; 1(1):161-183
dc.identifier.doi	10.1163/2208522X-00101008
dc.identifier.issn	2206-7485
dc.identifier.issn	2208-522X
dc.identifier.orcid	Barclay, K. [0000-0002-5112-907X]
dc.identifier.uri	http://hdl.handle.net/2440/114216
dc.language.iso	en
dc.publisher	Brill
dc.relation.grant	http://purl.org/au-research/grants/arc/DE140100111
dc.rights	Copyright status unknown
dc.source.uri	https://doi.org/10.1163/2208522x-00101008
dc.title	New Materialism and the new history of emotions
dc.type	Journal article
pubs.publication-status	Published

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