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Browsing Spanish publications by Author "Holas, S."
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Item Metadata only El arte de la conversación. Proximidad, interculturalidad, y democracia en Recado confidencial a los chilenos de Elicura Chihuailaf(Universidad de Huelva, 2005) Holas, S.Item Metadata only El arte de la palabra/ The art of the word(Interactive Publications, 2014) Holas, S.; Huenun, J.Item Metadata only Historia, identidad, mentira y ventroloquía: las problemáticas del otro y del conocimiento en El arpa y la sombra de Alejo Carpentier(Faculty de Humanidades. Universidad de Playa Ancha, 2013) Holas, S.This study aims at questioning and dismantling of the concepts of history & identity in Alejo's Carpentier. El arpa y la sombra. The narration offers this possibility when such dichotomies as history / lies, identity / ventriloquy are interpreted as from a critical perspective. In fact, the dismantling of these dichotomies allows Carpentier to fathom a much more complex Columbus than the one mono-logically constructed and championed by the official literature.Item Metadata only Intenso vivir. Contra el desarraigo: vida y creatividad en Violeta Parra(Adelaide University, Flinders University, Melbourne University, 2008) Holas, S.Item Metadata only La literatura ecológica desde la mirada sistémica y la cultura popular(Department of Spanish Studies, University of Adelaide, 2014) Holas, S.This paper studies the relationship between literature and ecology. It questions the assumptions that there is an objective external reality and explores the idea that there is a recurrent circular systemic relationship between ecology and literature. I argue that literary practices necessarily, due to the indigenous and also popular culture background of Latin American, bring forth a systemic circular or ecologic perspective on the relationship between man and nature. In fact this very same separation between nature and man tends to disappear. This paper provides textual examples based on two songs, La jardinera as well as Gracias a la vida, of the Chilean poet, songwriter, folklorist, dancer and painter Violeta Parra.Item Open Access Los Jaivas: Toward a Decolonial Attitude in Chilean Psychedelic Rock(International Association for the Study of Popular Music (IASPM), 2021) Holas Allimant, I.; Holas, S.This article proposes a decolonial reading of the rock music produced by Los Jaivas in Chile during the late sixties and early seventies by putting it in dialogue with Rodolfo Kusch’s work on identity and Walter Mignolo’s notion of decolonial aesthesis. By highlighting Indigenous melodies, rhythms, ideas and experiences in the rock genre, Los Jaivas propose an alternative conception of the Chilean subject as Andean and not exclusively displaced-European, as maintained by Chile’s institutions and mainstream culture. The music produced by Los Jaivas articulates a decolonial attitude. It recognises Indigenous values as an integral part of Chilean reality, adding a deeper dimension to the political critique of capitalism that occurred during the Unidad Popular period (1970-1973). Through the enduring music of their first albums and singles, Los Jaivas create an instance of decolonial aesthesis that has profoundly altered Chilean discourses of national identity.Item Open Access Plegados del cuidado. La ciudadania y la ciudad en Las cosas nuevas de Ennio Moltedo(Universidad de Valparaíso, Chile, 2016) Holas, S.; Benavente, C.Este ensayo explora las complejas relaciones que se establecen entre arquitectura, ciudad, civilidad y cuidado en Las cosas nuevas (2011), de Ennio Moltedo. La práctica poética de Moltedo se inscribe como un cuestionamiento a las grandes transformaciones (globales) asociadas al neoliberalismo, cuya primera puesta en movimiento se llevó a cabo en Chile durante la última dictadura. Pero también pone en relación una visión arquitectural de la ciudad y el cuidado de ésta en su pliegue interior (el ciudadano) y en su pliegue exterior (la ciudad como lugar).Item Metadata only Sobre lo delicado y lo efimero. Entrevista con el poeta Ennio Moltedo(University of Vina del Mar, 2007) Holas, S.