Commitment or abrogation? Avant-garde music and Jean-Paul Sartre's idea of committed art
dc.contributor.author | Carroll, M. | |
dc.date.issued | 2002 | |
dc.description | © Oxford University Press | |
dc.identifier.citation | Music and Letters, 2002; 83(4):590-606 | |
dc.identifier.doi | 10.1093/ml/83.4.590 | |
dc.identifier.issn | 0027-4224 | |
dc.identifier.issn | 1477-4631 | |
dc.identifier.uri | http://hdl.handle.net/2440/22999 | |
dc.language.iso | en | |
dc.publisher | Oxford Univ Press | |
dc.source.uri | http://ml.oxfordjournals.org/cgi/content/abstract/83/4/590 | |
dc.title | Commitment or abrogation? Avant-garde music and Jean-Paul Sartre's idea of committed art | |
dc.type | Journal article | |
pubs.publication-status | Published |