Busking in Musical Thought: Value, Affect, and Becoming

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dc.contributor.authorWilliams, J.
dc.date.issued2016
dc.description.abstractThe idea of musical value has no doubt played a role in the small amount of literature on busking coming out of the discipline of musicology. The prescriptive and descriptive approaches to value in musicological thought, and the static image of the musical Work both models imply, are problematized when considered within the concept of the “reactive” as articulated in Deleuze’s reading of Nietzsche. An alternative concept of value based on principles of affect and becoming enfolds the fragmentary as well as the monumental and is necessary to grasp the value of busking.
dc.description.statementofresponsibilityJoseph Williams
dc.identifier.citationJournal of Musicological Research, 2016; 35(2):142-155
dc.identifier.doi10.1080/01411896.2016.1160712
dc.identifier.issn0141-1896
dc.identifier.issn1547-7304
dc.identifier.orcidWilliams, J. [0000-0002-7152-5010]
dc.identifier.urihttps://hdl.handle.net/2440/135462
dc.language.isoen
dc.publisherInforma UK Limited
dc.rights© 2016 Taylor & Francis
dc.source.urihttps://doi.org/10.1080/01411896.2016.1160712
dc.titleBusking in Musical Thought: Value, Affect, and Becoming
dc.typeJournal article
pubs.publication-statusPublished

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