Performances and events publications

Item

Restricted

On The Terrace

(Chamber Music Adelaide, 2022) Crismani, D.; Rotumah, G.; Harrald, L.

Item

Metadata only

The Red Cross Gala - State Opera of SA's Regional Tour for Beyond The Stage

(State Opera of South Australia, 2018) Dollman, L.W.

Item

Metadata only

Dido and Aeneas, Conductor Luke Dollman

(State Opera of South Australia, 2018) Dollman, L.

Item

Metadata only

Macau Days Sound Installation

(2017) Harrald, L.A.; Castro, B.

Item

Metadata only

Playing the Decades

(2022) Treagus, M.

Item

Restricted

Rupture: all the stars unshining

(Performance Space, 2022) Barratt, V.; Boylan, J.; Dement, L.; Harrald, L.; Fry, G.

Rupture: all the stars unshining is an affecting video and performance installation, revealing the ways in which the body and the world mimic each other in states of panic and crisis. Rupture explores how symptoms of environmental and human 'disorder' can be seen as an appropriate response to personal traumas and global disaster. This relationship plays out across multiple screens alongside occasional moments of live performance, placing Barratt's body in direct conversation with extraordinary video footage of landscapes in states of transformation and flux.

Item

Metadata only

PianoLab

(2022) Goldsworthy, A.

The piano is an instrument of illusion. In the right hands, it becomes a singer or an orchestra, tells us stories, and conveys us through space and time. In the intimate salon setting of The Lab, pianistic royalty from around the country joins the revered Elder Piano School for a series of immersive recitals across the genres of classical, jazz and contemporary music. A festival that defies boundaries, bringing the riches of the piano out of the concert hall and into the community.

Item

Metadata only

Nocturne

(2022) Goldsworthy, A.; Bower, H.

This theatrical recital enacts a collision of music, letters, images and identities, set to a soundtrack of Chopin’s Nocturnes and other piano pieces.

Item

Metadata only

Feudal positions and the pathology of contentment: sites of disconnection for Australian theatre actors

(Centre for Performance Studies, 2015) Crawford, T.

This article surveys symbolic sites of disconnection and disenfranchisement of actors, while holding connection and enfranchisement as crucial to wellbeing, and so suggests potential threats to wellbeing across the breadth of the acting challenge. The research leans upon both general and specific proximities: the first is my more than thirty years of experience as a professional actor, acting teacher, and writer in the field; the second, a period of observation of actors in rehearsal for four diverse though mainstream theatre productions in Adelaide, South Australia, in 2012, and interviews with those actors.